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transistoradio:

Thomas Couture, Romans during the Decadence (1847), oil on canvas, 772 x 472 cm. Collection of Musée d’Orsay, Paris, France. Via Wikimedia Commons.

transistoradio:

Thomas Couture, Romans during the Decadence (1847), oil on canvas, 772 x 472 cm. Collection of Musée d’Orsay, Paris, France. Via Wikimedia Commons.

(via kuntessa)

transistoradio:

Joseph Mallord William Turner (1775-1851), The Bock, Luxembourg (c.1839), gouache, pen and ink, and watercolour on paper, 18.9 x 13.9 cm. Collection of Tate, UK. Via Tate.

transistoradio:

Joseph Mallord William Turner (1775-1851), The Bock, Luxembourg (c.1839), gouache, pen and ink, and watercolour on paper, 18.9 x 13.9 cm. Collection of Tate, UK. Via Tate.

(via impressionsonmymind)

poboh:

The Choir Stalls, Johannes Bosboom. Dutch (1817 - 1891)

poboh:

The Choir Stalls, Johannes Bosboom. Dutch (1817 - 1891)

(via antelucanhourglass)

art-and-things-of-beauty:

Marga Toppelius-Kiseleff (1862-1924) - Still life with book and flowers, mixed media, 26 x 32 cm. 1886.

art-and-things-of-beauty:

Marga Toppelius-Kiseleff (1862-1924) - Still life with book and flowers, mixed media, 26 x 32 cm. 1886.

(via elisabethofyorks)

staystillmaster:

Ellen Thayer Fisher (American, 1847 - 1911), Sumac and Milkweed, 1885

staystillmaster:

Ellen Thayer Fisher (American, 1847 - 1911), Sumac and Milkweed, 1885

(via hajandrade)

loquaciousconnoisseur:

George Romney
Lady Hamilton as the Magdalene

“Nothing was more curious than the faculty that Lady Hamilton had acquired of suddenly imparting to all her features the expression of sorrow or joy, and of posing in a wonderful manner in order to represent different characters. Her eyes alight with animation, her hair strewn about her, she displayed to you a delicious bacchanale, then all at once her face expressed sadness, and you saw an admirable repentant Magdalene.” – Élisabeth Vigée-Lebrun

loquaciousconnoisseur:

George Romney

Lady Hamilton as the Magdalene

“Nothing was more curious than the faculty that Lady Hamilton had acquired of suddenly imparting to all her features the expression of sorrow or joy, and of posing in a wonderful manner in order to represent different characters. Her eyes alight with animation, her hair strewn about her, she displayed to you a delicious bacchanale, then all at once her face expressed sadness, and you saw an admirable repentant Magdalene.” – Élisabeth Vigée-Lebrun

(via the-wolf-and-the-mockingbird)

poboh:

Easter Night, Stanislav Yulianovich Zhukovsky. Polish (1871 - 1944)

poboh:

Easter Night, Stanislav Yulianovich Zhukovsky. Polish (1871 - 1944)

(via oldoils)

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